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For What It s Worth Start Again

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1966 single by Buffalo Springfield

"For What Information technology'southward Worth"
For What It's Worth single.jpg
Single past Buffalo Springfield
B-side "Do I Accept to Come Correct Out and Say It?"
Released Dec 23, 1966 (1966-12-23)
Recorded Dec 5, 1966
Studio Columbia Square, Hollywood
Genre
  • Folk rock[1]
  • country rock[ii]
  • psychedelic stone[3]
Length 2:37
Label Atco
Songwriter(southward) Stephen Stills
Producer(south)
  • Charles Greene
  • Brian Rock
Buffalo Springfield singles chronology
"Burned"
(1966) 		"For What It's Worth"
(1966) 		"Bluebird"
(1967)

"For What It'due south Worth (Stop, Hey What'due south That Sound)" (ofttimes referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on Dec five, 1966, released as a single on Atco Records on December 23, 1966, and peaked at No. vii on the Billboard Hot 100 chart in the leap of 1967.[4]

It was afterwards added to the March 1967 second pressing of their first anthology, Buffalo Springfield. The championship was added later on the song was written, and does not appear in the lyrics.[5]

Background [edit]

Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Dusk Strip curfew riots in Los Angeles in Nov 1966—a serial of early on counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, commencement in mid-1966, the same yr Buffalo Springfield had get the firm band at the Whisky a Go Become on the Sunset Strip.[6] Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused belatedly-night traffic congestion. In response, they lobbied Los Angeles County to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip afterwards 10 p.yard. The young music fans, however, felt the new laws infringed upon their civil rights.[7]

On Saturday, November 12, 1966, fliers were distributed on the Sunset Strip inviting people to bring together demonstrations subsequently that day. Several of Los Angeles's stone radio stations also appear a rally outside the Pandora'due south Box lodge on the corner of Sunset Boulevard and Crescent Heights. That evening, equally many equally 1,000 immature demonstrators, including future celebrities such as Jack Nicholson and Peter Fonda (who was handcuffed by law) gathered to protest against the curfew'due south enforcement. Although the rallies began peacefully, trouble eventually bankrupt out.[eight] The unrest continued the next nighttime, and periodically throughout the residual of November and December, forcing some clubs to shut down within weeks.[7] It was confronting the background of these civil disturbances that Stills recorded "For What Information technology'south Worth" on Dec 5, 1966.

Cash Box said the single is a "throbbing, infectious protester circling 'circular the current happenings in Cal."[ix]

Production [edit]

Stills said in an interview that the name of the song came about when he presented it to the record company executive Ahmet Ertegun (who signed Buffalo Springfield to the Atlantic Records-owned ATCO label). Stills said: "I have this vocal here, for what it's worth, if you desire it."[5] Another producer, Charlie Greene, claims that Stills outset said the in a higher place line to him, but credits Ahmet Ertegun with giving the single the parenthetical subtitle "Stop, Hey What'due south That Sound" in order that the vocal would be more than easily recognized.[5] [10]

The song was recorded on Dec 5, 1966, at Columbia Studios, Hollywood. Tom Dowd claimed he mixed the song at Atlantic's studio in New York, though this has been disputed.[11] Dowd did take part in the production of Cher's version of the song in 1969.[12] 1 of the nearly recognizable elements of the vocal is Neil Young's use of guitar harmonics.[5]

Legacy [edit]

"For What It's Worth" apace became a well-known protest song.[13] In 2006, when interviewed on Tom Kent's radio show Into the '70s, Stills pointed out that many people think the song is almost the Kent State shootings of 1970, even though its release predates that event past over iii years.[14] Neil Young—Stills'southward bandmate in both Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY)—would later write "Ohio" in response to the events at Kent State.[15]

An all-star version of "For What It'due south Worth", with Tom Petty and others, was played at Buffalo Springfield's induction into the Rock and Roll Hall of Fame in 1997; Neil Young did not attend the event.[xvi]

The song is a staple of period piece films about 1960s America and the Vietnam War, such as Forrest Gump, and ofttimes used every bit a mutual shorthand to quickly establish the atmosphere of 1960s counterculture motility and protests.[17]

The song appears in the intro to the 2005 film Lord of War, showing the lifecycle of a bullet, from manufacture to firing.[ citation needed ]

On Baronial 17, 2020, Billy Porter sang "For What It's Worth" for the 2022 Autonomous National Convention backed past Stephen Stills on guitar, a nod to the vocal's resurgent utilise in the summer 2022 American protests.[xviii] [xix]

Charts [edit]

Certifications [edit]

Covers and sampling [edit]

"For What It'southward Worth" has been covered, sampled, and referenced in numerous musical performances. Versions include those by the Staple Singers (US #66 in 1967)(Tin can #46 in 1967),[xxx] Art (1967 single from Supernatural Fairy Tales), Ken Lyon & Tombstone,[31] Rush, Cher, the Candyskins, Oui 3 (UK #28),[32] Queensrÿche (on their album Accept Cover), Miriam Makeba (on her album Keep Me in Mind), Ozzy Osbourne and (həd) p.e. (retitled Children). Cher's 1969 cover did not make the Billboard Hot 100; AllMusic retrospectively chosen her version "mature [and] forceful".[33]

Sergio Mendes and Brasil'66 recorded a version of this vocal. It reached #ten in the Adult Contemporary Music Nautical chart on September 19, 1970.[34] Singer Karen Philipp suggested to Sergio that he should embrace the song. Karen does all of the vocals for this song by overdubbing. Ii versions of this vocal be: The mono 45 has a more than extreme overdubbing of Karen's vocals with a different organ solo than the LP.[35] The LP version is in stereo with a unlike vocal arrangement.[36]

David Cassidy recorded an extended live version for his 1974 album Cassidy Live! (Bong Records, Great britain #9; recorded alive in Swell Great britain in May 1974).

In 1998, Les Rythmes Digitales released a version nether the title "(Hey You) What's That Sound?", a runway from their album Darkdancer.

"For What It's Worth" is performed by an opossum (Jerry Nelson) and a chorus of woodland animals on episode 2.21 of The Muppet Bear witness. The third poetry is rewritten by an uncredited author to give the song an anti-hunting theme.

The hip-hop grouping Public Enemy sampled "For What It's Worth" on their 1998 song "He Got Game", which featured Stephen Stills reprising his vocal functioning from the original song.[37] Oui 3 adapted the song for their 1993 debut single of the same name, which reached number 26 in the Great britain nautical chart.[38] [39] In 2017, Haley Reinhart released a cover of the song equally the third single from her third studio anthology, What's That Sound? [40] In 2018, the Solitary Bellow released a encompass of the song as a single.[41]

Come across also [edit]

  • List of 1960s one-hit wonders in the U.s.a.
  • Protest songs in the United States

References [edit]

  1. ^ Unterberger, Richie. "Great Moments in Folk Rock: Lists of Author Favorites". Richieunterberger.com . Retrieved Jan 26, 2011.
  2. ^ Fontenot, Robert. "What is Country Rock?". ThoughtCo. Well-nigh.com. Retrieved March 12, 2017.
  3. ^ Jim DeRogatis (1996). Kaleidoscope Eyes: Psychedelic Stone from the '60s to the '90s . Ballad Publishing Group. p. 51. ISBN978-0-8065-1788-9 . Retrieved Oct 13, 2015.
  4. ^ Inc, Nielsen Business Media (March 25, 1967). "Billboard". Nielsen Business Media, Inc. – via Google Books.
  5. ^ a b c d David Browne (November xi, 2016). "'For What It's Worth': Inside Buffalo Springfield's Classic Protestation Vocal". Rolling Rock.
  6. ^ Gilliland, John (1969). "Show 34 – Defection of the Fatty Angel: American musicians respond to the British invaders. [Part 2] : UNT Digital Library" (audio). Pop Chronicles. Academy of North Texas Libraries.
  7. ^ a b "Sunset Strip Riots | Closing of club ignited the 'Sunset Strip riots'". Los Angeles Times. August v, 2007. Retrieved Jan 16, 2012.
  8. ^ Meares, Hadley (March 7, 2019). "Rebellion and stone 'due north' roll: The Sunset Strip in the '60s; How get-go dancing teens—and the underage clubs that embraced them—turned the Strip technicolor". Curbed Los Angeles . Retrieved Feb 22, 2021.
  9. ^ "CashBox Record Reviews" (PDF). Greenbacks Box. Jan 7, 1967. p. 18. Retrieved Jan 12, 2022.
  10. ^ Einarson, John; Furay, Richie (2004). For What It'southward Worth: The Story of Buffalo Springfield. Taylor Trade Publications. p. 127. ISBN978-0-8154-1281-half dozen.
  11. ^ McDonough, Jimmy (2003). Shakey: Neil Young's Biography . New York City: Random House. p. 201. ISBN9780679427728.
  12. ^ "Top 20 Pop Spotlight Cher - For What It's Worth". Billboard. Nielsen Business organisation Media, Inc. August 16, 1969.
  13. ^ Lustig, Jay (February 18, 2011). "Song of the Day: 'Rock 'n' Whorl Woman,' Buffalo Springfield". The Star-Ledger . Retrieved Feb 19, 2011.
  14. ^ Stevenson, Tommy (October 20, 2010). "'Days of Rage' conference revisits unrest of May 1970". Tuscaloosa News . Retrieved February 19, 2011.
  15. ^ Lynskey, Dorian (May 6, 2010). "Neil Young's Ohio – the greatest protest record". The Guardian . Retrieved January 5, 2019.
  16. ^ "CSN, Jackson 5 Bring together Rock and Curlicue Hall of Fame". Rolling Rock. May 8, 1997. Retrieved February xix, 2011.
  17. ^ Dowd, A.A. (October 21, 2016). "Ewan McGregor flattens American Pastoral into '60s cliché". The A.V. Club . Retrieved August 17, 2020.
  18. ^ Aswad, Jem (Baronial 17, 2020). "Stephen Stills Talks His DNC Performance With Billy Porter of 'For What Information technology's Worth'". Variety . Retrieved August 17, 2020.
  19. ^ Bowen, Bliss (June 18, 2020). "Artists give voice to crisis in the streets". Pasadena Weekly . Retrieved August 17, 2020.
  20. ^ "RPM Tiptop 100 Singles - April 8, 1967" (PDF).
  21. ^ Flavor of New Zealand, 26 May 1967
  22. ^ Joel Whitburn's Top Pop Singles 1955–1990 - ISBN 0-89820-089-X
  23. ^ "Cash Box Meridian 100 Singles, Apr one, 1967". Archived from the original on Nov 28, 2018. Retrieved Feb 15, 2019.
  24. ^ "Record World / Music Vendor". Retrieved October 6, 2020.
  25. ^ "RPM Height 100 Singles of 1967". Archived from the original on August 12, 2016. Retrieved February 15, 2019.
  26. ^ Musicoutfitters.com
  27. ^ "Cash Box Twelvemonth-End Charts: Top 100 Pop Singles, December 23, 1967". Archived from the original on September xxx, 2018. Retrieved February fifteen, 2019.
  28. ^ "Italian unmarried certifications – Buffalo Springfield – For What It's Worth" (in Italian). Federazione Industria Musicale Italiana. Retrieved August half dozen, 2021. Select "2018" in the "Anno" driblet-downwards card. Select "For What It's Worth" in the "Filtra" field. Select "Singoli" under "Sezione".
  29. ^ "British single certifications – Buffalo Springfield – For What It's Worth". British Phonographic Industry. Retrieved August half dozen, 2021.
  30. ^ "RPM Top 100 Singles - October 21, 1967" (PDF).
  31. ^ "KEN LYON & TOMBSTONE: For What It's Worth (1974)". YouTube.
  32. ^ Uk Official Charts, 20 February 1993
  33. ^ Marking Deming. "3614 Jackson Highway - Cher | Songs, Reviews, Credits". AllMusic. Retrieved September 30, 2016.
  34. ^ "Adult Contemporary Chart". Billboard. January 2, 2013. Retrieved Baronial xviii, 2020.
  35. ^ "Sergio Mendes & Brasil'66 For What Information technology'southward Worth (single 45 version) - YouTube". www.youtube.com . Retrieved August 18, 2020.
  36. ^ "For What It's Worth - YouTube". world wide web.youtube.com . Retrieved August 18, 2020.
  37. ^ Locker, Melissa (November 5, 2012). "'He Got Game' | Public Enemy at 25". Time . Retrieved September thirty, 2016.
  38. ^ "Oui 3". Blair Booth Music . Retrieved April half-dozen, 2016.
  39. ^ "Oui 3". Official Charts . Retrieved April 6, 2016.
  40. ^ "Exclusive! Haley Reinhart Covering The '60s Archetype For What Information technology'due south Worth Is Every bit Chilling Every bit Our Current Political Climate! Listen!". PerezHilton. August 10, 2017. Retrieved Baronial ten, 2017.
  41. ^ For What It's Worth, October 2018, retrieved March 10, 2020

External links [edit]

  • Reasontorock analysis of vocal

hurleyhimanxim43.blogspot.com

Source: https://en.wikipedia.org/wiki/For_What_It%27s_Worth

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